What Cameras Are Sony G Mount Lenses Used For
Following the recent release of then many Sony mirrorless camera bodies, I thought information technology fitting to write a roundup of the best Sony lenses available in 2022.
I've been fortunate enough to have access to the entire range of native Sony e mountain lenses (thanks Sony Commonwealth of australia!), and have selected what I believe are the best options for all-round apply.
Editor's Pick
Sony 85mm f/one.8 Fe 
This is a bully value medium range prime number lens for your FE or E mount Sony. Razor sharp, great bokeh and lightweight. Highly recommended!
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One of the advantages of Sony mirrorless cameras is the power to use almost any third party lens (via a separate mount), assuasive photographers to take advantage of Sony'southward grade-leading camera engineering with some of the earth's best glass.
This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony.
In that location's clearly a lot of choice for Sony shooters in 2022. Then, without further ado, hither are the all-time Sony lenses.
All-time Sony Lenses in 2022
| Prototype | Product | Features | |
|---|---|---|---|
 | Sony 50mm f/i.4 Best ALL Round Prime number (FE OR Due east) |
| View Toll → |
 | Sony 24-70mm f/2.8 BEST ALL Round ZOOM (Fe OR E) |
| View Price → |
 | Sony lxx-200mm f/4 BEST VALUE ZOOM (FE OR E) |
| View Price → |
 | Sigma 30mm f/1.iv BEST VALUE PRIME (E) |
| View Toll → |
 | Sony 20mm f/ii.8 BEST Budget PRIME (E) |
| View Price → |
 | Sony 18-105mm f/iv BEST VALUE ZOOM (E) |
| View Price → |
 | Sigma 16mm f/one.four Best Wide Angle Prime (E) |
| View Price → |
 | Sony 16-35mm f/2.8 BEST Broad ANGLE ZOOM (FE or E) |
| View Toll → |
 | Sony 85mm f/one.viii BEST VALUE Prime number (FE OR E) |
| View Price → |
1. Sony FE 55mm f/1.8 ZA Zeiss Sonnar T*
Compatibility: Full frame (FE) & Ingather Sensor (Due east)
Minimum Focus: 0.5 m
Filter Diameter: 49 mm
Size: 64.4 mm (diameter) ten 70.5 mm (length)
Weight: Approx. 281 g
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Let's commencement this review off with 1 of the sharpest lenses ever produced… all the way back in 2013! That's right, the 55mm f/i.8 is getting long in the molar…
Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect lucifer for these groundbreaking devices. Its size/weight went well with the smaller bodies, and the impeccable Carl Zeiss optics made the most of the A7R'south 36MP sensor.
(We actually included this lens in our article on the all-time lenses for Sony a7 cameras.)
If you're looking for the sharpest lens at a useful, flattering focal length, it'due south hard to beat the 55mm f/1.8. 55mm may audio unusual, just the difference between a 50mm and a 55mm field of view is minor and something you lot'll quickly get used to.
When mounted on a Sony APS-C (crop sensor) trunk like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for united nations-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which yet doesn't brand the viewer feel too detached from the image.
Sony does make 50mm 1/.8 lenses for both Eastward and FE mount cameras, but this 55mm is faster to motorcar-focus and sharper, making it definitely worth the boosted expense if you plan to use information technology a lot.
The T* in its full name (Sony FE 55mm f/one.8 ZA Zeiss Sonnar T*) refers to Zeiss' anti-reflective coating, which improves item, contrast and clarity, particularly in potent calorie-free.
Sony a7RII + 55mm f/one.eight | © Tony Gale
As with all Zeiss lenses, build quality on the 55mm f/1.8 is excellent, with a metal barrel and a solid, high quality feel. Its lite weight and diminished size brand it a perfect walk-around lens when mounted to a Sony mirrorless camera, making this lens an extremely popular option with street photographers.
Cheers to a high speed internal focusing mechanism, the 55mm f/1.viii delivers fast, silent and precise car-focus. When tested on my a7R Iii and a a6000, I found auto focus speeds to be just as snappy equally the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings.
As for image quality, the 55mm f/i.viii delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you tin can expect edge to border sharpness across the board, and incredible detail retentiveness.
Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is listen-blowing – individual eye lashes look like wires on head shots which fill up the screen with the 55mm. This lens is also astonishing for compages photography for this reason, although at 55mm you lot'll obviously need to be able to stand back far plenty to fit the discipline of your photo in completely.
The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth.
Colours are precise and vibrant, so JPEG shooters who don't want to spend any time backside a computer can be confident of nailing the shot straight-out-of-photographic camera. Colour rendition is obviously besides dependent on the camera used, but at to the lowest degree with the 55mm f/one.eight , you'll know it'southward not the lens letting you downwardly!
All in all, the 55mm f/i.viii is a gem of a lens to have in your camera bag… or indeed your jacket pocket, due to its diminished size/weight. I'm a firm believer that pocket-size mirrorless bodies should exist matched with small, lightweight lenses, and this is quite simply one of the best.
Whether you're a wide angle lens lover or adopt to zoom in to your subject, the
55mm f/1.viii offers a versatile focal length that'south perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. Highly recommended!
Why You Should Buy
If you're looking for the sharpest lens at a useful, flattering focal length, it's hard to vanquish the Sony 55mm f/i.eight.
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two. Sony Due east 35mm f/one.eight OSS
Compatibility: Ingather Sensor (E) & Full frame (Fe)
Minimum Focus: 0.3 m
Filter Diameter: 49 mm
Size: 63 mm (bore) 10 45 mm (length)
Weight: Approx. 154 g
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Nevertheless on the topic of small, lightweight lenses that pair perfectly with Sony mirrorless cameras, the Sony 35mm f/ane.8 deserves pride of place in this list.
In fact, I'd go as far every bit to say it'south my favourite lens for a crop sensor Sony torso such as the a6000. At half the weight of the camera body, information technology's the perfect complement to the slender Sony APS-C sensor bodies.
On a cropped sensor Sony mirrorless camera, this lens will give roughly a 50mm field of view (52.5mm), which is ideal for a whole range of subjects. 50mm is a popular focal length since information technology gives an un-distorted view of the world, and tin be flattering for portraits, without making the bailiwick feel detached similar a longer lens might.
Although the Sony APS-C sensor does a skilful job in sucking in equally much light equally possible, due to the limitations of the smaller sensor size, images captured in low-calorie-free at college ISOs can become rather noisy. That's why having a 'fast' lens with a large (f/1.8) discontinuity like the 35mm f/1.8 is such a big assistance.
Opening up your aperture to f/1.8 can hateful the difference between a blurry image (caused by too slow a shutter speed) and a sharp 1, (where using a wider aperture allows a faster shutter speed).
Sony a6000 + 35mm f/i.8 | © Rambo Estrada
Similarly, information technology can mean the deviation between a noisy prototype (where a college ISO is needed to capture enough light), and a clean one (where using f/1.8 allows y'all to apply a lower ISO).
The 'OSS' refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime number lenses. In combination with the fast f/1.8 aperture, this is some other reason that the 35mm f/1.8 is so adept for low-light shooting.
As well as depression-light shooting advantages, the larger aperture of the 35mm f/1.8 helps to separate the subject, by encouraging sharp in-focus elements, and flossy out-of-focus elements.
An aperture of f/one.8 also means that you lot'll exist able to get that coveted 'blurred background wait' that really separates bottom cameras. Sure, your smart phone'southward 'portrait way' may exist able to do something similar, but the process is much slower with the mobile phone and its fancy A.I.
Sharpness is decent at f/one.8, but stopping the lens down to f/four-f/8 actually yields the best results, if capturing the utmost particular is your primary business concern.
I have to say that the motorcar-focus speed of the 35mm f/one.8 when mounted to the Sony a6000 wasn't amazing, specially when the subject was heavily back-lit. However, in well-nigh normal daylight situations, the lens/camera locked onto the subject fast enough, and it wasn't an upshot.
Overall, the Sony 35mm f/ane.viii is a versatile and fun trivial lens that is the perfect complement to a pocket-sized Sony mirrorless torso, with images quality that but isn't possible with the kit lens that comes with your camera.
In my opinion, it'south the best prime number lens for Sony ingather-sensor camera owners who want a modest and lightweight setup with splendid optical performance – information technology'southward in many respects the perfect travel photographic camera/lens combination.
Why You Should Buy
It is a versatile and fun little lens that is the perfect complement to a modest Sony mirrorless body.
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3. Sony Atomic number 26 35mm f/1.4 Zeiss Distagon T*
Compatibility: Full frame (Fe) & Crop Sensor (E)
Minimum Focus: 0.iii m
Filter Bore: 72 mm
Size: 78.5 mm (diameter) ten 112 mm (length)
Weight: Approx. 630 g
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Still on the archetype 35mm focal length, the Sony 35mm f/ane.four is my recommendation for Sony total frame shooters.
I was on the fence for a while whether to include the excellent Sony Fe 35mm f/2.8 here instead, merely realised that my dear for that lens was mostly due to its size rather than its optical performance. If portability is your master business organisation the f/ii.eight model is the best option, simply the lens I'g nearly to tell you about below is much ameliorate…
Let's get the elephant in the room out of the way kickoff – the 35mm f/1.4 is an expensive lens. Although cheaper than the Canon/Nikon equivalents past about $300 (run into the latest cost here), I imagine that the bulk of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging operation.
The fast 35mm prime number lens is a stable of the wedding photography industry, partly for its ability to suck in more ambient light when low-cal levels are low, and partly due to its gorgeous bokeh. I've endemic numerous iterations of a 35mm lens over my years shooting DSLRs, and and so the 35mm f/ane.four was a elementary choice as the showtime lens to buy with my a7R III.
On a full frame photographic camera, 35mm is incredibly versatile. Wedding lensman or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same fourth dimension being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter.
Sony a7RIII + 35mm f/1.iv FE | © Gold Chapeau Photography
Add in f/1.4 for cute subject area separation and incredible low-lite performance, and you have pretty much the ultimate prime lens for Sony shooters.
One downside with f/1.4 lenses across the board is their size/weight. Both the Canon and Nikon offerings top the scales at effectually 600 g (21.2 oz.), and this i from Sony is no different, at 630 g (22.22 oz).
Yet, it is a tad smaller, and paired with a Sony A7 or A9 body, it really feels pretty good – the narrowing of the lens where it meets the photographic camera torso creates a comfortable space for the fingers of your non-camera-belongings hand to rest.
Whilst you could utilise the 35mm f/one.4 on a crop sensor body similar the Sony a6500, I'd definitely recommend holding the photographic camera+lens setup before making your purchase – the size/weight of the lens volition dominate the photographic camera, so could feel quite odd. There are photographers that brand this combination work well, though.
Build quality is pinnacle-notch, as you'd expect from a Zeiss lens. I wouldn't desire to drop information technology (plain!), merely am pretty confident information technology'd survive the autumn if I did. Non sure if my toes would, though.
One nice touch is the aperture band which allows aperture adjustments to exist fabricated on the lens. I adopt to assign the photographic camera's command dial to command aperture, but for fans of rangefinders or video shooters, using your other paw to adjust aperture can be convenient. You tin besides choose between a tactile click or a silky-smooth roll when twisting the aperture ring.
Sony a7RIII + 35mm f/1.iv FE | © Gold Chapeau Photography
Bokeh produced by the 35mm f/1.4 is just amazing. Coming from the Nikon 35mm f/1.4G (included in this all-time Nikon lens roundup), I noticed a similarity in the smoothen transition of in-focus to out-of-focus elements which gives images a kind of ethereal personality.
If you need to turn cruddy backgrounds to mush or want to requite subjects more than iii dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup.
Auto-focus performance is just as good as any DSLR equivalent I've shot with. Obviously, AF speed is largely dependent on the camera itself simply paired with any Sony mirrorless full frame camera, I'thou confident that y'all won't exist disappointed.
Sony a7RIII + 35mm f/one.4 FE | © Gilt Chapeau Photography
The 'Distagon' in its total proper name (Sony Atomic number 26 35mm f/1.4 Zeiss Distagon T*) refers to a lens design which helps reduce distortion. Whilst slight butt distortion is nonetheless apparent, information technology's zilch to worry about, and easily corrected upon import to Lightroom.
I expanse where the 35mm f/ane.4 out-performs the Nikon and Canon equivalents is sharpness. Fifty-fifty wide open, the middle is impressively sharp, with paradigm detail retained right up to the edges of the frame.
I ofttimes shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. F/ii on the 35mm f/i.4 seems to be the sweetness spot in terms of center sharpness and combined with the beautiful bokeh, that pleasing '3D effect' is actually increased.
I could become on and on about this lens, only to cut a long story short, the 35mm f/i.4 has made me confident that my switch from Nikon to Sony for my wedding photography work has been a wise one.
Information technology's my 'money lens', a real workhorse that delivers great-looking images over and over, and allows me to shoot in about darkness with no wink. Highly recommended!
Why Yous Should Buy
A existent workhorse that delivers great-looking images over and over, and allows y'all to shoot in near darkness with no flash.
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4. Sony Fe 28mm f/ii
Compatibility: Full frame (FE) & Crop Sensor (E)
Minimum Focus: 0.29 m
Filter Diameter: 49 mm
Size: 64 mm (diameter) x 60 mm (length)
Weight: Approx. 200 g
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Forth with the aforementioned 35mm, the Sony 28mm f/2 was the 2d of 3 lenses I bought when I switched from Nikon to Sony this year.
At only 200 g and a truly pocketable size, I imagined this would be my 'everyday lens' for non-professional employ, or the lens I'd attach to my new a7 III when traveling. In actual fact, it turned out to be much more than that…
The 28mm f/two is currently the nearly affordable Sony FE prime lens (run into the latest cost here), and an absolute bargain when compared to wide bending lenses of a similar quotient by other manufacturers.
28mm is a somewhat unusual focal length, and it did admittedly have me a little fourth dimension to get used to. I'yard non a fan of shooting extensively with a 24mm, so was worried that 28mm would be bear upon also broad, but it's actually not also daunting.
28mm allows you to get up close to the action, whilst withal providing enough 'room' in the frame to tell the story via the background, or other foreground elements.
Sony a7RIII + 28mm f/2 FE | © Gold Hat Photography
The Sony 28mm f/2 is also popular on Sony E mount bodies, providing a 42mm field of view. Due to its small size, it feels great when fastened to Sony crop sensor bodies, and makes a fun walk-around lens.
I find that many Sony full frame camera owners also ain crop sensor compact cameras too. Past investing in lightweight Sony Iron lenses such as this 28mm, information technology's like shooting fish in a barrel to apply the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in Iron glass.
One unique advantage of the 28mm f/2, is that Sony too produces two handy converters that tin can alter the focal length of the lens – this one that makes information technology 21mm; and another 1 that makes it a 16mm fish-heart!
Whilst this is a cost-effective way to create 3 focal lengths, it should also be noted that using converters in this fashion diminishes the amount of lite that can enter the lens – these converters change the f/2 to f/2.8 and f/3.5 respectively, although in good light or when using a tripod, this won't exist an issue.
Sony a9 + 28mm f/2 | © Tyler Shortt
Since it'south such a lightweight lens, auto focus performance on the 28mm f/two is silent and lightning quick. Paired with the Sony a7 or a9 series bodies which offering silent shooting, you can focus and shoot with no noise at all.
Silent shooting is useful in a whole range of situations, but my favourite place to use lightweight broad angle lenses like the 28mm f/ii is on the dance-floor.
At the finish of a long wedding mean solar day, the concluding thing I want to attach to the front end of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck correct into the crazy trip the light fantastic-floor activity, making the viewer feel truly immersed.
As for image quality, the 28mm f/2 is sharp and contrasty all the way through the aperture range. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera.
Sony a7RIII + 28mm f/2 Atomic number 26 | © Gold Chapeau Photography
I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. Broad angle lenses tin can't really create much out-of-focus elements unless you get really close to the subject, but when you lot do, the Sony 28mm f/2 does a swell job at creating subject separation.
For this reason, this little lens which I assumed would exist relegated to shots of my kids on vacation really sees a lot of use when shooting professionally. The 28mm field of view really encourages y'all to get in close for a sense of immersion, and f/ii can help directly the viewer'due south eye by blurring the foreground and/or groundwork.
If y'all've just blown your budget on a new Sony full frame mirrorless camera and can only save upward for 1 lens, the 28mm f/two would be my recommendation. Information technology makes the camera a joy to concord, has excellent paradigm quality and won't interruption the bank. Highly recommended!
Why You lot Should Buy
It makes the camera a joy to concur, has excellent image quality and won't intermission the depository financial institution.
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5. Sony FE 16-35mm f/2.8 GM
Compatibility: Total frame (Iron) & Crop Sensor (Eastward)
Minimum Focus: 0.28 grand
Filter Diameter: 82 mm
Size: 88.5 mm (bore) ten 121.six mm (length)
Weight: Approx. 680 chiliad
Click here for the latest price
If y'all're looking for the best wide angle zoom lens bachelor for Sony full frame mirrorless cameras, expect no further than the Sony xvi-35mm f/ii.8 GM. I'll be uploading some sample photos I took in Tokyo soon, but in the meantime, accept a read about this incredible lens.
Owners of the Sony 16-35mm f/four Zeiss OSS may not want to read any further, but let me simply say this earlier excavation deeper – the Zeiss version is smaller, lighter, cheaper, and can evangelize outstanding results.
However, it's still not quite as good as the Sony GM version :-)
GM stands for 'Chiliad Master' – the premium Sony e mount lenses, similar to Catechism's L series. Check out the video below to run into the features that put the GM lenses ane footstep above all the others in the Sony lens catalogue.
Well-nigh of the advantages of G Master lenses over regular Sony lenses, or even Zeiss lenses, are admittedly a little hard to quantify by the average photographer. It'south hard after all to differentiate betwixt very skillful and nifty, when lens quality is already more most of us will always need.
Having said that, afterward spending a twenty-four hour period shooting with the 16-35mm f/four Zeiss and this Sony 16-35mm f/2.viii GM, I'm convinced that the latter is worth the extra cost.
I don't want to spend also long trying to compare these 2 first-class lenses, since neither is the 'right' choice. Let's simply say that if sharpness, clarity and depression-light operation/power to mistiness the background is about important to you, carry on reading ;-)
16-35mm is an extremely useful focal range for all types of photographer. 16mm on a total frame camera gives an expansive field of view, perfect for everything from wide panoramic vistas to environmental portraits (so long as the subject is a distance from the camera, and non placed at the edge of the frame!)
35mm is also a great focal length as discussed previously, simply the reward of this lens isn't to be able to shoot at 16mm or 35mm, merely rather, having the flexibility to modify the field of view between these two distances.
Yous don't buy the Sony 16-35mm f/2.eight as a replacement to your 35mm prime lens.
16-35mm has also become popular with wedding ceremony photographers, particularly on the dance floor of all places. 16mm allows for some crazy, in-your-face moments to exist captured, and the versatility of zooming out to 35mm allows yous to capture wider angle for when the action becomes more varied.
Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. I was pleasantly surprised that it'south much lighter than the Nikon equivalent (past 320g), and besides Canon's version besides (by 110g).
Equally yous'd wait from the price tag of a 1000 Main lens, paradigm quality out of the Sony 16-35mm f/2.8 is nothing curt of incredible. Shot broad open at f/2.8, images are tack sharp, and this level of detail remains beyond its entire focal range.
If you can get close enough to the subject, the bokeh exhibited by the Sony 16-35mm f/2.8 is shine and creamy, although to really maximise the upshot, you lot'll need to be shooting at 35mm.
Pixel peeking website DXOMark named it the highest-rated wide-angle zoom, with a sharpness score that blew the Catechism/Nikon versions right out the water.
If you're looking for a broad angle zoom lens with the all-time prototype quality and can justify the price tag, there simply isn't a amend option than the Sony 16-35mm f/ii.8. The f/4 Zeiss version is an affordable and tempting alternative, but you'll exist left wondering how much amend your image could accept looked…!
Why You Should Buy
A wide angle zoom lens with the best image quality and can justify the price tag.
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6. Sony Atomic number 26 24-70mm f/ii.8 GM
Compatibility: Full frame (FE) & Ingather Sensor (E)
Minimum Focus: 0.38 m
Filter Diameter: 82 mm
Size: 87.6 mm (diameter) x 136 mm (length)
Weight: Approx. 886 chiliad
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If you desire 1 lens that can handle pretty much any shooting scenario and produce articulate, vibrant and sharp images with incredible detail, the Sony 24-70mm f/ii.8 should be at the summit of your wish-list.
Allow's start with the bad news – this is i expensive lens. If yous're coming from Nikon or Canon, y'all'll exist used to the high price of f/two.8 zooms, the price is more easily justified – there'due south a lot of crazy engineering that goes into producing a fixed-discontinuity lens of this quotient.
You can see the latest price of this Sony mid-range zoom lens here. Now that you've got over that initial shock, why the heck am I recommending such expensive glass in a roundup that's supposed to cater for the average photographer?!
Simple – because it'due south the all-time. Yep there's an f/4 Zeiss version and even a 28-70mm f/three.5-5.half dozen Sony offering too… just they're all outperformed by the 24-70mm f/2.8.
Retrieve when everyone started using prime lenses because they were sharper and ameliorate quality than zoom lenses? Well those days are no more – the 24-70mm f/ii.viii is just as sharp than any Sony prime lens I've always shot with – it'south up there with the Sony 55mm we discussed earlier, and all this from a lens that tin accept you from wide angle to portrait in one twist!
Sony a7RII + 24-70mm f/two.eight | © Tony Gale
If yous've never shot with a 24-70mm lens before, you're in for a treat. I call it the 'lazy lens', every bit you can literally shoot an unabridged wedding with ane, barely moving your feet all 24-hour interval!
24mm is wide enough to become the unabridged church or that epic mural shot, and 70mm gives beautiful compression for a bridal portrait.
f/two.8 used to exist considered sub-par for low-low-cal photography, but with the high ISO capabilities of full frame cameras these days, it'south more than adequate.
In addition, shooting near the 70mm end of the focal range at f/two.8 produces flossy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for instance.
At f/ii.8, the 24-70mm f/ii.8 is impressively sharp in the middle of the frame beyond the unabridged focal range. At f/4, sharpness improves, but permit's face up information technology – you'll be shooting this bad boy broad open most of the time, and then it'due south good to know it performs well like that!
1 small issue I noticed was ghosting when shooting towards the sun – this is one area where the coated glass of the 24-70mm f/four Zeiss is superior, just I don't consider it a big problem. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that's fun to play around with.
Sony a7RII + 24-70mm f/2.8 | © C-Gee Photography
The quality of the bokeh really is great, with round and clean highlights throughout the focal length, thank you to ix rounded aperture blades. As long as you get close enough to the discipline, you can get impressive bokeh even at 24mm.
With the sun at your dorsum, images out of the 24-70mm f/2.8 are brilliant, sharp, contrasty and extremely sharp. Distortion is typical for a 24-70mm lens, with pronounced barrel distortion at 24mm, although information technology'due south all hands fixable in Lightroom.
If you're coming from another photographic camera system, investing in ii Sony mirrorless full frame bodies and several lenses may exist out of your budget. Investing in ane body and merely the 24-70mm f/2.8 will hateful that you'll take all your focal distances covered, and can mean a more practical entry into the world of Sony for professional employ.
The flexibility of the 24-70mm needs to exist experienced past every genre photographer – if you've e'er wondered what focal length is expert for food photography, for instance, here's your reply!
As long as you don't listen the weight of this lens, I really tin can't detect any reason non to recommend it to any kind of Sony total frame shooter. Information technology'south a pricey beast of a lens, but it could be the merely lens you lot ever demand.
Why You Should Buy
With the dominicus at your back, images out of the Sony 24-70mm f/two.8 are bright, sharp, contrasty and extremely sharp. It could be the but lens yous ever need.
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7. Sony Atomic number 26 85mm f/1.viii
Compatibility: Full frame (Atomic number 26) & Crop Sensor (E)
Minimum Focus: 0.8 k
Filter Diameter: 67 mm
Size: 78 mm (diameter) 10 82 mm (length)
Weight: Approx. 371 yard
Click here for the latest price
Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? Well, this Sony 85mm f/1.8 was the third lens I settled on.
To requite you a chip of background, I used to shoot with two Nikon D750s, with 35mm and 85mm f/1.iv lenses (see my gear fix here). I love the look of images shot at f/1.4, simply felt that I could easily get by with f/i.eight – the trade off in light gathering ability was more than than worth it for the reduction in size/weight and toll.
You can check the current price of this lens here – y'all'll appreciate the fact that information technology'due south over $one,200 cheaper than Sony's f/ane.iv 1000 Master offering, and nearly $700 less than the f/i.eight Zeiss Batis version.
Sony a7RIII + 85mm f/i.8 | © Gold Hat Photography
So when I switched to Sony, I decided on the 85mm f/1.8 and haven't looked back. (If in that location was an f/1.8 35mm, I would've got that besides!)
With the pinch at 85mm, I observe that the bokeh at f/1.iv is well-nigh also much. For all y'all Catechism 85mm f/1.2L shooters, shooting broad open up with that lens is similar cheating – you tin can turn pretty much any background to a complete mushy flossy mess!
f/1.viii on an 85mm lens looks groovy to me, and at only 371 1000, it's the perfect complement to a lightweight Sony mirrorless body.
Sony a7RIII + 85mm f/ane.8 | © Gold Lid Photography
Even on an APS-C sensor body similar the Sony A6500, the 85mm f/one.8 feels good, although 127.5mm as a focal length (with the crop sensor conversion) is admittedly a little less versatile.
Build quality is decent, although not the all-metal tank-like build you'll see with G Master or Zeiss lenses. The butt is made from sturdy plastic, and the mount and filter thread are metallic. I really prefer this construction over an all-metal lens, since they're just and so much lighter.
A overnice touch is a 'focus-hold' button on the side of the lens, which tin can exist customised to control diverse other functions – I have mine set to control Eye AF.
Every bit for image quality, this is some other f/1.viii Sony lens that really excels with its sharpness. Every bit with the 55mm f/i.8 nosotros discussed before, the 85mm f/ane.viii achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing.
Sony a7RIII + 85mm f/1.viii | © Gilt Hat Photography
DXO Marking compared the Sony 85mm f/1.viii with the other Sony/Zeiss 85mm variants and establish it to exist the sharpest of the bunch. It also exhibits very little distortion.
The images I've shot professionally with the Sony 85mm f/1.8 look fantastic at f/one.viii, only to me, the lens really excels when stopped down to f/4~f/five.6, where images go fifty-fifty more contrasty and sharp, almost leaping off the screen.
If you're coming from some other camera organisation and take ever used f/1.4 lenses, give the 85mm f/one.8 a shot before sinking your cash into other options. With the incredible loftier ISO functioning of Sony full frame cameras, you won't miss the two/3 of a finish when the sun falls, and you won't miss it even if y'all're a bokeh-whore!
For this cost, I recommend the 85mm f/1.8 for whatever photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless photographic camera.
Why Y'all Should Buy
For any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless photographic camera.
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8. Sony 24mm E f/1.viii Sonnar T* ZA
Compatibility: Ingather Sensor (E) & Full frame (FE)
Minimum Focus: 0.16 m
Filter Bore: 49 mm
Size: 63 mm (diameter) 10 65.5 mm (length)
Weight: Approx. 225 g
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I'll finish this roundup with a piffling bit of a controversial option. There's no uncertainty that this Sony 24mm f/1.8 is the best standard wide bending lens available for crop sensor Sony E mount cameras, simply its price definitely isn't for anybody.
I think it's a fair assumption to say that the majority of professionals use total frame cameras, given the pick. Fujifilm shooters are 'limited' to APS-C or Medium Format, but Sony shooters can decide between ingather sensor and full frame.. and most pros cull full frame.
So it's also a off-white assumption to say that if your primary body is a crop sensor Sony, yous're not earning money via photography. Run across where I'g going here?
And so for a crop sensor prime lens such as the 24mm f/ane.8 to toll almost as much as the photographic camera itself (come across latest cost here), you're going to ruffle some feathers among hobbyists!
Sony NEX vii + 24mm f/1.8 | © Alan Chen Photography
Notwithstanding, I believe that whatsoever your profession and whatever the camera you own, information technology'due south always a good conclusion to invest in the best possible lens yous can beget… and in this case, that'south the Sony 24mm f/1.viii.
So what are you getting for your money? Well first off, attaching this lens to your Sony crop sensor body transforms information technology into a 35mm equivalent focal length with a fast f/1.8 aperture.
35mm is ideal as a walkaround lens, wise enough for landscapes or compages and even so good for an ecology portrait.
The size and weight balances nicely on the Sony a6XXX series bodies. Build quality is all-metallic every bit to exist expected from Carl Zeiss, and it's a huge step-upwardly from the plasticky kit lens.
Every bit for image quality, the 24mm f/i.8 is impressively sharp right beyond the frame, especially when stopped downward to f/4. At f/i.8 there's slight corner softness, but aught that distracts, and if yous go close to your bailiwick, you lot're rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades.
Information technology's fair to say that whatever of the Sony products with the word 'Zeiss' on the side really excel in image quality, peculiarly the fast primes such every bit this one.
Sony a6000 + 24mm f/ane.viii | © Duy Nhât Phan
Colour rendition is fantabulous with the Sony 24mm f/1.8, and images are clear, vibrant and contrasty, but this obviously depends too on the camera used. On the Sony a6000 I used for testing, autofocus speeds were splendid, and JPEGs looked dandy straight out of camera.
If you lot own a Sony ingather sensor body and crave the advantages and flexibility of using a 'existent' 35mm lens (equally opposed to ane that'due south labeled '35mm', but converts to around 50mm on APS-C), the 24mm f/one.eight is just the best lens you can buy.
If you lot want to get the virtually out of every megapixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you're used to variable aperture zoom lenses, such as the ones that typically come up bundled with cameras. Highly recommended!
Why You Should Purchase
The best standard wide-bending lens available for ingather sensor Sony Eastward mount cameras.
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Quick Summary Buyer's Guide
With several lens manufacturers catering to the Sony E mount, as well every bit Sony'southward own amazing lens lineup, y'all can't help feeling a bit overwhelmed past option!
Many photographers come up to Sony from Nikon or Canon, so their start question is whether they can nonetheless use their existing non-native lenses on their new Sony body.
Using Canon lenses on a Sony body is definitely possible via adapters like these, and it's fun to experiment with other third party lenses as well, but I always recommend using a native lens where possible.
With the ever-expanding range of Sigma Art lenses for e-mount in addition to Sony's own offerings, the allure of using non-native glass on your Sony camera is dwindling.
Based on the past few months I've had testing a option of the lenses, these are the ones that I've chosen as a solid base for any Sony full frame or cropped sensor East-mount camera owner.
Think that Fe lenses can be used on all Sony mirrorless cameras (at a 1.v* focal length multiplication). And of course Sony E lenses can be used with Sony Full Frame cameras with a noticeable crop.
If you want to know what lenses to buy for your Sony photographic camera starting time, this quick summary should help:
If yous're looking for an affordable, fun and tiny prime number lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick.
Small and calorie-free as a lens cap, you lot can blur the background on the cheap, and the image quality is surprisingly skillful too.
If you desire to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/ane.4 is a good bet – that fast maximum aperture will evangelize great bokeh, and become you lot out of trouble in low-light too.
As for Fe mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/one.4 which I reviewed below. Even so, I decided to include the Sony 50mm f/ane.four in the table in a higher place, since 50mm seems to exist a more than popular focal length for many photographers. Both are outstanding lenses.
For zooms, the f/ii.8 G Master lenses are the foam of the crop, whether yous own FE or E mount. If yous've got the bucks, the Sony xvi-35mm f/2.8, 24-70mm f/2.8 and seventy-200mm f/2.viii a.k.a. the 'holy trinity', are unbeatable in quality.
However, for one-half the price, I'd recommend you lot bank check out the f/iv variants likewise. Unless you're shooting in low-light all the fourth dimension, f/4 plus image stabilization and Sony's fantabulous loftier ISO capabilities may be all yous need.
The Sony 70-200mm f/4, for example, is great value for money, and perfect for both Sony ingather sensor or total frame cameras (it becomes a 105-300mm equivalent on APS-C).
1 other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that'south perfect for portraits, delivering sharp, contrasty images with cute out-of-focus areas.
On a Sony east mount camera like the a6000, it'll become a 142mm lens, also great for portrait photography.
How to Read a Sony Lens
Before we dive headfirst into the Sony lens reviews, information technology's of import to understand what all the letters in the lens proper name mean.
Hither'south an instance of a lens that's quite a mouthful:
Sony lens naming conventions can exist a little confusing…
The above lens is the Sony FE 70-200mm f/4 M OSS. Let's break those words and abbreviations down:
- FE – any lens that covers a 35mm sized sensor (designed for use on Sony'southward total frame mirrorless cameras)
- 70-200mm – the focal length
- f/4 – the maximum aperture range
- G – 'Golden' lenses are Sony's highest quality professional person-grade lenses
- OSS – 'Optical SteadyShot' is Sony'southward in-congenital lens image stabilization
Other Sony lens abbreviations you lot may see include:
- ZA – 'Zeiss Alpha', or any Sony lens featuring Carl Zeiss
- SSM – 'SuperSonic Motor' is for extremely fast and silent Autofocus
- SAM – 'Smoothen Autofocus Motor', usually seem on Sony's lower-end lenses
- ED – 'Actress-low Dispersion' glass elements designed to reduce chromatic aberrations
- SAL – 'Sony Autofocus Lens'
- DT – 'Digital Engineering science', refering to lenses that are designed for Sony APS-C sensor cameras
- SEL – Sony autofocus lenses designed for Eastward-mount
In the reviews below, I've removed the superfluous lettering after the chief elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name.
More than Sony Lens Reviews
I've selected the lenses to a higher place based on my own personal experience (cheers Sony U.s./Australia/Nippon for the loans!)
The cameras used for testing were the full frame a7R Three (reviewed hither), the a7 Three (reviewed here), and the crop sensor a6000 (reviewed here).
Exist certain to check out this guide to the best lenses for the Sony a6000 for some more Sony due east mountain lens recommendations for the crop sensor format, and my guide to the all-time Sony accessories for what I'm currently using with my Sony cameras.
Likewise, this guide to the best lenses for Sony a6400 shooters should be useful too.
Sony FE vs Due east Mount Lens FAQ
It'south important to understand the difference between Sony FE and Sony E-mountain lenses (we've ignored Sony A mount lenses in this review, which are for Sony's non-mirrorless range of cameras).
Fe refers to a lens designed to comprehend a Sony total frame (35mm) sensor. Since APS-C sensors are smaller, the FE lenses tin can also exist used on the Sony APS-C sensor range (also known every bit NEX), albeit at a one.5x focal length and maximum discontinuity multiplication.
Lenses labelled 'Eastward' can still be used on Iron-mountain cameras (a7 and a9 serial), however, the image will be cropped due to the design of the lens.
When you mount Sony APS-C (E) E-mount lenses to most Sony full-frame cameras, the camera switches to APS-C mode and reduce the resolution and frame size accordingly.
Oft Asked Questions
Will Sony FE lenses piece of work on a6000, a6300, a6400 & a6500 bodies?
Yep, at a ane.5x focal length and maximum discontinuity multiplication. All Iron lenses are compatible with the Sony a6000 series and all other Sony east-mount crop sensor cameras.
This ways you can ain a Sony a7 or a9 series camera and share the lenses with your Sony a6500, Sony a6300, Sony a6400 or whatever other Sony APS-C sensor camera.
[Related: Sony a6300 lens guide,]
Is Sony NEX an Eastward Mount?
Yep information technology is. NEX stands for "New East-Mount experience", with the branding no longer used on newer Sony cameras.
Does Sony a7 & a9 utilise Eastward Mountain lenses?
The Sony a7 and Sony a9 series are full frame mirrorless cameras, and then the FE range of lenses is the all-time fit. You lot tin can mount Sony APS-C (Due east) Eastward-mount lenses to Sony full-frame cameras – the camera will switch to APS-C way and reduce the resolution and frame size.
What's the deviation betwixt Sony East Mount and A Mountain?
Left: Sony A mount | Right: Sony E mount
Sony A Mountain lenses are designed for Sony Unique Translucent Mirror type camera bodies (the Sony α organisation).
Sony E Mount lenses are designed for Sony mirrorless camera bodies.
Do all Sony Blastoff lenses fit on all Sony cameras?
No. The E-mount is used on the Sony mirrorless camera system (Alpha seven, 6000, 500o and NEX serial cameras).
The A-mount is used on Sony Unique Translucent Mirror (essentially DSLR) cameras.
Both Sony E and FE lenses tin exist used on E mount cameras. When you mountain Sony APS-C (E) E-mount lenses to Sony full-frame cameras – the camera will switch to APS-C mode and reduce the resolution and frame size.
Final Words
This is the list of lenses I'd provide any friend who'd merely invested in a Sony total frame or crop sensor body.
It's past no means an exhaustive list since every photographer'due south needs are unlike.
Yet, I believe that this roundup provides a solid selection of all-round lenses that requite the best blindside for the buck, or simply provide the accented best prototype quality at a given focal length.
I'm interested to hear if you concord or disagree with whatsoever of my choices, so please feel free to leave a comment below to proceed the discussion. Every bit mentioned previously, I'd also like to hear nearly your favourite 3rd political party lenses which yous utilize mount on Sony camera bodies.
Editor'southward Option
Sony 85mm f/1.8 FE
This is a swell value medium range prime number lens for your Iron or East mount Sony. Razor precipitous, bang-up bokeh and lightweight. Highly recommended!
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Disclaimer: All recommendations are impartial and based on user experience, with no bias to the products or the make. The products in this postal service may contain affiliate links.
Source: https://shotkit.com/best-sony-lenses/
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